This second attempt was also fruitless, for on 22 May Verdi made clear that his mind was unchanged. On 13 May, Lumley again tried to arouse Verdi’s interest by informing him that I Lombardi had scored a success. But on 9 April 1846, Verdi informed Lumley that owing to his poor health he would not travel to London, let alone compose a new opera. ![]() ![]() In the meantime Lumley had not remained idle and was in fact doubling his efforts to appeal to the London audience, since he was now unable to count on the “old guard.” Verdi’s international success had convinced Lumley to commission a new opera from the young Italian composer and in the early spring of 1846 he was already advancing this idea. 1Ĭosta, Mario, Grisi and Tamburini, followed by many members of the orchestra, established a rival company led by Giuseppe Persiani in the capacity of manager on 6 April 1847, they inaugurated a second Italian opera season at Covent Garden with Rossini ’s Semiramide. From this source we learn, that Covent Garden Theatre is to be opened as an Italian Opera house early in 1847 that Signor Costa is engaged as musical director and conductor that a host of eminent vocalists have been secured and that almost all the performers of the instrumental orchestra are to follow their late conductor. In the meantime, however, a sort of demi-official article has appeared in the Morning Chronicle, a paper which has distinguished itself by its strong spirit of partisanship in the affair. The Opera house squabbles of the past season, arising out of Mr Lumley ’s breach with his musical director, Signor Costa, have grown at length into a great schism, which is beginning to throw the votaries of harmony into a state of the direst discord The rumours which have been current of the establishment of a rival Italian Opera next season, have now assumed an authentic shape though the formal announcement as to the details of the enterprise, which has for some time been expected, has not yet been issued. ![]() The conductor Michael Costa and the three leading singers, Mario, Giulia Grisi and Antonio Tamburini, abandoned Lumley and set out to establish a competing operatic company at Covent Garden. In 1846, a series of difficulties between the manager of Her Majesty’s Theatre and his star artists resulted in a split or secession, as they called it.
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